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导演：让-马里·斯特劳布
简介： O somma luce视频本站于2026-01-09 12:01:46收藏于/影片特辑。观看内地vip票房，反派角色合作好看特效故事中心展开制作。特别提醒如果您对影片有自己的看法请留言弹幕评论。 (🌠) 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub (📛) The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hö(🗝)lderlin’s text is also inserted into their 1989 film Cé(🧦)zanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. (🍾)The mise en scè(🕘)ne of what words exactly? (🏯) The process of revealing, “phainestai” “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
《O somma luce》常见问题1、请问哪个平台可以免费在线观看《O somma luce》?
最新电影在线观看网友：在线观看地址：http://www.ert.wiki/vodplay/113414-1-1.html
2、《O somma luce》哪些演员主演的？
网友：主演有Giorgio Passerone
3、《O somma luce》是什么时候上映/什么时候开播的？
网友：2010年，详细日期也可以去百度百科查询。
4、《O somma luce》如果播放卡顿怎么办？
百度贴吧网友：播放页面卡顿可以刷新网页或者更换播放源。
5、手机版免费在线点播《O somma luce》哪些网站还有资源？
6、《O somma luce》的评价：
Mtime时光网网友：比第一部好看，剧情不磨叽了，主要角色不拖后腿。第一次看到O somma luce直接就爱了。O somma luce剧情懂得扬长避短，让声音做主角。省去没人想看的废话，省去没人想看的感情戏，一切以场景为中心来设计，而每个场景又都以声音为中心，咋呼、轻响、寂静形成节奏，然后一秒钟不多待就出字幕。很少有音效师能感觉自己这么核心吧？
百度视频网友:电影前的回忆闪回让观众们完美过渡 没看过前作的朋友也毫无压力 相比第一部演员有所升级
豆瓣电影网友：《O somma luce》感太割裂了，一边频频被视觉设计上的创意惊艳到，一边又不知道导演在吃力地表达什么！首先要说明一点，抛开所有片外因素，这部片子我看得很爽。
O somma luce影片的精彩影评
慕浅(📋)闻言笑(🤴)了起来，别告诉(🦃)我你不(🈚)知道这件事情(🍝)是谁做(🙄)的，就这么毫无顾忌地(🌩)离开医(⤴)院，你就不怕下(🍼)一个死(🥑)掉的人就是你(㊙)？