玻璃少女

　　迷幻少女遇(yù )著(zhe )(🥇)過氣公安老頭，未必(🕋)是貓捉(🕸)老鼠累鬥(🤢)累，也可以是從老前輩(bèi )身上學會認識自己。阿(ā ) P 為追(zhuī )阿初欠她(tā )(🏇)的債，偶然與(⚫)阿(🐿)初的外(wài )公(gōng )(🎩)相遇(yù )，兩(liǎng )個生活態度(dù )南(✳)轅北轍的人，就是這樣(📞)在荒(huāng )(🎫)謬的處境中相互學(xué )習。阿(ā )P在當(dāng )(🤯)中(😱)看見(🤷)年青一代的無奈：十六歲的(de )迷途青春(😞)、愛情的(de )無助、軟性毒品的(de )蠶(🗞)食、面對父母失敗的婚(🌞)姻、自己渾(hún )(🙉)噩的前途....阿(🤷)初無(🧤)故失蹤，又是(😍)否(💠)因抵受不(🤳)了同(tóng )樣殘酷(kù )的青春？世(🕯)情像(👣)玻璃，有時看(kàn )(💹)得透，有時不，相(🚗)同的(de )只是(shì )：兩者同樣冰冷易(🥋)碎。
　　(🐩)The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.
　　Source: 25th HKIFF (2001)