我们的失败

　　2018年5月(yuè )和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一(yī )所高(gāo )中的10名电影班学生(👑)合作，开(🛍)展(zhǎn )了(le )一(🕯)项将电(diàn )影与政治结合起来(🐖)的(🕌)项目。学(🎫)生(🥞)们(men )在摄像(xiàng )机(🙁)前和(hé )摄像(xiàng )(🚑)机后工作，重(chóng )新布(🔊)置罢工、抵抗和劳资纠(🌚)纷的场(chǎng )景(jǐng )，这(zhè )(🖲)些电影(yǐng )可以追溯到20世(shì )纪60年代末到70年代(dài )末，包(👓)括让-卢(⛓)克-戈达尔和阿兰-坦纳的电(diàn )影。nos d_faites汇集了(🕯)调查结果，并增(💝)加了采访，在采(🛎)访中，导(dǎo )演(😊)询问(➡)学生他们刚刚表演的(🃏)场景，关于“阶级”、“工会”和“政(🤔)治参与”等概念，以(💏)及更广泛(👵)的社会背景。这是一个简单，但尖(👄)锐(🐖)的(de )设(🖍)置，让观众一瞥年轻(qīng )一代(🍁)如何看待(😳)政治和过去的政治电影。这(zhè )部(bù )影片还记(jì )录了(💑)导演试图(🚩)激怒(nù )学生的企图。在(zài )导(👅)演和学生似乎处于平(píng )等地位(🖱)的遭遇中，基(🏡)于从(cóng )未见过(guò )的导演更多类(📯)似于(♊)老师(🔍)的提(🍉)问，以及(🌒)此时(shí )此(⛎)刻(kè )对革(🐸)命(🍈)的思考(kǎo )：起(qǐ )义的表(biǎo )现(🦐)反映了(le )(😻)同样(⏭)的情况。这会(huì )导致一个真实(⛱)的(de )发生吗(ma )？(🌽)
　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
　　(🥤)回到1968年(nián )的(de )电影时代，继续对(duì )重放从过去跳出(chū )(😤)来的电影(yǐng )节选的年轻人(📏)进行(💙)今天的采访，我们的(de )失(🚇)败(📐)描绘了(🌯)我们(men )当前(🚳)与政治的(de )关系(xì )。我(🔺)们(men )(⛴)的(de )失(shī )败，还(hái )是我们(men )有足(zú )够的力量(🐈)来面(miàn )对(duì )今(jīn )天(tiān )的混(⛪)乱？
　　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?