加一

　(🌠)　本片(piàn ) 荣获第四届(jiè )深圳青年影像节纪(jì )录片类 最佳创(chuàng )意奖 ，香港中文(🐉)大学(xué )(🌰)、 第二届中国(guó )民族博(📿)物馆 永久收藏奖(jiǎng ) 。
　　有意想观(guān )看(kàn )的，可(kě )联系版权方微信：1714371600
　(🚸)　(🖍)《加(jiā )(🐶)一(🥀)》颠覆大(🐖)众对留守儿(ér )童(tóng )的(de )固定(🚣)思维(wéi )，以独(dú )特的(⏯)视角(🖲)呈现最真(🦗)实(🌑)的留守儿(🥎)童(🥔)生活。
　　加一(yī )是(shì )一(yī )名留守儿(💪)童(⛓)，父母常年在(🥫)外打工(gōng )，每次短暂的(de )(😍)相聚都(dōu )(⛳)会牵(qiān )动加(jiā )(🥕)一幼小 的(🧣)心(🤖)灵：长(🌮)途 跋涉和(hé )爷爷去(qù )(💔)看望(🥊)在外打工的父(fù )母，离别时躺在爸爸腿上静静(jìng )落泪；(🌼)春节过后妈妈提前出去打工，没有说(🔍)再见是因为偷偷躲在被 窝(wō )里泣(🥅)不成声。然而父母离开后生(👄)活(huó )依(yī )然要(🔫)继续(🔥)，忍(rěn )受(shòu )(📞)过(⏳)难尝的别离滋味后(😳)，依然要忘掉烦(🐂)恼，快(kuài )乐(lè )地和同学玩(📬)耍，淘气地逗(🚤)哭弟弟后又像大人(rén )(⏺)一样哄着(🈳)他。每(měi )天(tiān )(🔍)和弟弟徘徊(huái )在(zài )哭与笑之(😲)间，就这样(💨)在痛与乐中成长着。
　　留(🏆)守(shǒu )儿(🌒)童并不是(🏖)“苦逼(🍈)”的代名词，他们(🔝)有(yǒu )他们的快乐，有他们的纯(chún )真(zhēn )，他们也确实(🥈)要忍受不一样(🏒)的孤独(dú )和无奈(nài )。大时代(dài )下的小人物(👎)，他们的生存状态(🔡)是这个时代的特(tè )殊(shū )印迹(jì )。
　　The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.
　　JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.
　　(⤵)“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.